John McGahern and Modernism (Bloomsbury, 2017)
Narratives of the European Border: A History of Nowhere (Palgrave, 2007)
Erthyglau:
‘“Many Strange Tongues in the Fenlands”: The Buried Giant as Brexit allegory?’, English Studies: https://www.tandfonline.com/doi/full/10.1080/0013838X.2022.2150941
‘Nowhere, in Particular: Kazuo Ishiguro’s The Unconsoled and Central Europe’, in Critical Quarterly, 48:4 (2006) 107-30
Co-edited Special Issue of Textual Practice on ‘The Contemporary Problem of Style’: https://www.tandfonline.com/toc/rtpr20/36/4
Article in Textual Practice on dialect and middlebrow style in Elena Ferrante: https://www.tandfonline.com/doi/full/10.1080/0950236X.2022.2030514
‘The Violation of Style: Englishness in Edward St Aubyn’s Patrick Melrose novels’, co-written with Barry Sheils, Textual Practice 29:6 (2015) 1-22
“Not Even a Shadow of Violence”: Undead History in John McGahern’s Anglo-Irish Stories’, in Assessing a Literary Legacy: Essays on John McGahern, eds Eamon Maher and Derek Hand (Cork: Cork University Press, 2019)
‘An Umbrella, a Pair of Boots and a “Spacious Nothing”: McGahern and Beckett’, in Irish University Review, Vol. 44: 2 (Autumn/Winter 2014) 323-40
‘That Dubious Enterprise, the Irish Short Story: Dubliners and The Untilled Field’, in James Joyce and the Nineteenth Century, ed. John Nash (Cambridge University Press, 2013)
‘The Modernism of Ian McEwan’s Atonement’, Modern Fiction Studies, 56:3 (Fall 2010) 473-95
‘Buckley in a General Russia: Finnegans Wake and Political Space’, in Joyce in Trieste: An Album of Risky Readings, eds. Sebastian D.G. Knowles, Geert Lernout and John McCourt (University Press of Florida, 2007), pp.170-87
