An aerial view of Singleton Campus and the bay opposite

Dr Joanna Rydzewska

Uwch Ddarlithydd mewn Astudiaethau Ffilm

Media

+44 (0) 1792 602635

j.rydzewska@abertawe.ac.uk

124
Llawr Cyntaf
Technium Digidol
Campws Singleton

Ar gael ar gyfer Goruchwyliaeth Ôl-raddedig

Dolenni Ymchwil

https://orcid.org/0000-0002-9011-6378

ResearchGate

Google Scholar

Scopus

Trosolwg

Mae Joanna yn Uwch Ddarlithydd mewn Astudiaethau Ffilm yn Adran y Cyfryngau a Chyfathrebu ac yn gwasanaethu fel ei Harweinydd Ymchwil Ôl-raddedig.

Roedd Joanna yn fyfyriwr israddedig ac ôl-raddedig ym Mhrifysgol Lodz, Gwlad Pwyl, lle cwblhaodd BA mewn Llenyddiaeth Saesneg ac MA mewn Astudiaethau Americanaidd. Cyn hynny bu Joanna yn Ddarlithydd ym Mhrifysgol Lodz yn Adran y Cyfryngau a Chyfathrebu ac roedd ganddi gysylltiadau agos ag Ysgol Ffilm Lodz. Cyn dod i Brifysgol Abertawe, roedd Joanna yn Gymrawd Fulbright yn Adran Rhethreg a Ffilm, Prifysgol California, Berkeley.

Meysydd Arbenigedd

• Astudiaethau Ffilm
• Astudiaethau Teledu
• Sinema drawswladol
• Mudo ar y sgrîn
• Hunaniaeth ar y sgrîn
• Sinema celfyddyd Ewropeaidd
• Sinema Dwyrain Ewrop

Uchafbwyntiau Gyrfa

Diddordebau Addysgu

Mae Joanna yn dysgu ym meysydd astudiaethau ffilm a theledu. Mae ei haddysgu arbenigol yn canolbwyntio ar Sinema Ewropeaidd, sinema Dwyrain Ewrop, sinema drawswladol a mudo, materion hunaniaeth ar y sgrin, a theori awduraeth.

Ymchwil Prif Wobrau

Cyhoeddiadau

Uchafbwyntiau Ymchwil

Rydzewska, J. (2024). The Films of Paweł Pawlikowski Edinburgh University Press.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa31081
Rydzewska, J. (2023). Polish Culture? World on Fire, Transnational Coproduction and the Inscription of Cultural Specificity. In Dunleavy, Trisha and Elke Weissmann (Ed.), TV Drama in the Multiplatform Era: Transnational Coproduction and Cultural Specificity Palgrave Macmillan
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa63195
Rydzewska, J. (2021). Neoliberal Authorship: Auteur Theory and European Art Cinema in 2021 — the Example of Paweł Pawlikowski. The Routledge Companion to European Cinema Routledge
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56770
https://www.taylorfrancis.com/chapters/edit/10.4324/9781003027447-44/neoliberal-authorship-joanna-rydzewska
Rydzewska, J. & Ostrowska, E. (2018). Developments in Eastern European Cinema since 1989 (Chapter 13). The Routledge Companion to World Cinema (pp. 167-180). Routledge
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa29914
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315688251-14/developments-eastern-european-cinemas-since-1989-el%C5%BCbieta-ostrowska-joanna-rydzewska
Rydzewska, J. (2017). Transnarodowosc, postsekularyzm i tajemnica winy w Idzie Pawla Pawlikowskiego/Transnationalism, Postsecularism and the Enigma of Guilt in Pawel Pawlikowski's Ida (2013). In Sebastian Jagielski , Magdalena Podsiadło (Ed.), Kino polskie jako kino transnarodowe (pp. 23-40). Krakow: Universitas
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa29913

Holl Ymchwil

Erthyglau Cylchgronau

Rydzewska, J. (2013). Masculinity, Nostalgia and Polishness in Somers Town. Journal of British Cinema and Television, 10(4), 890-908.
https://doi.org/10.3366/jbctv.2013.0186, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12159
Rydzewska, J. (2012). Ambiguity and Change: Post-2004 Polish Migration to the UK in Contemporary British Cinema. Journal of Contemporary European Studies, 20(2), 215-227.
https://doi.org/10.1080/14782804.2012.685392, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12158
http://www.tandfonline.com/doi/abs/10.1080/14782804.2012.685392
Rydzewska, J. (2012). ”Wielka Brytania, wielkie nadzieje”: wizerunek polskiej migracji w Londyńczykach. Images(19-20), 200-211.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa31513
Rydzewska, J. (2011). Europe is Ageing: The Oedipal Trajectory and its Social Implications in Alumbramiento. Short Film Studies, 1(2), 195-198.
https://doi.org/10.1386/sfs.1.2.195_1, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12140
Rydzewska, J. (2011). ‘Great Britain, Great Expectations’: The Representation of Polish Migration to Great Britain in Londyńczycy/Londoners. Critical Studies in Television: The International Journal of Television Studies, 6(2), 127-140.
https://doi.org/10.7227/CST.6.2.13, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa11160
http://manchester.metapress.com/content/h65j6w2111143638/fulltext.pdf
Rydzewska, J. (2011). Transnational Subjectivity: Trauma and Displacement in Roman Polański'sRepulsion. Journal of British Cinema and Television, 8(3), 337-356.
https://doi.org/10.3366/jbctv.2011.0043, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa11410
Rydzewska, J. (2009). Beyond the Nation State: ‘'New Europe' and Discourses of British Identity in Pawel Pawlikowski's 'Last Resort' (2000). Journal of Contemporary European Studies, 17(1), 91-107.
https://doi.org/10.1080/14782800902844743, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa11411
Rydzewska, J. (2009). Imagining Englishness: Mapping Identity in My Summer of Love (2004) by Pawel Pawlikowski. New Cinemas: Journal of Contemporary Film, 7(2), 119-136.
https://doi.org/10.1386/ncin.7.2.119/1, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa11412
http://www.ingentaconnect.com/content/intellect/nc/2009/00000007/00000002/art00002
Ostrowska, E. & Rydzewska, J. (2007). Gendered Discourses of Nation(hood) and the West in Polish Cinema. Studies in European Cinema, 4(3), 187-198.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17493
https://www.ingentaconnect.com/content/routledg/sec/2007/00000004/00000003/art00004
Rydzewska, J. (2004). The Patriarchal Unconscious: The Difficulty of Oedipal Trajectory in Alfred Hitchcock's Vertigo. International Studies. Interdiciplinary Political and Cultural Journal, 7(2), 69-86.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17496
Rydzewska, J. (2004). Folklor albo cień oficjalnej cywilizacji (Folklore or the Shadow of Official Civilization). Kultura Popularna, 3(9), 111-123.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa63863

Llyfrau Awdurol

Rydzewska, J. (2024). The Films of Paweł Pawlikowski Edinburgh University Press.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa31081

Penodau Llyfrau

Rydzewska, J. (2023). Polish Culture? World on Fire, Transnational Coproduction and the Inscription of Cultural Specificity. In Dunleavy, Trisha and Elke Weissmann (Ed.), TV Drama in the Multiplatform Era: Transnational Coproduction and Cultural Specificity Palgrave Macmillan
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa63195
Rydzewska, J. (2021). Neoliberal Authorship: Auteur Theory and European Art Cinema in 2021 — the Example of Paweł Pawlikowski. The Routledge Companion to European Cinema Routledge
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56770
https://www.taylorfrancis.com/chapters/edit/10.4324/9781003027447-44/neoliberal-authorship-joanna-rydzewska
Rydzewska, J. & Ostrowska, E. (2018). Developments in Eastern European Cinema since 1989 (Chapter 13). The Routledge Companion to World Cinema (pp. 167-180). Routledge
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa29914
https://www.taylorfrancis.com/chapters/edit/10.4324/9781315688251-14/developments-eastern-european-cinemas-since-1989-el%C5%BCbieta-ostrowska-joanna-rydzewska
Rydzewska, J. (2017). Transnarodowosc, postsekularyzm i tajemnica winy w Idzie Pawla Pawlikowskiego/Transnationalism, Postsecularism and the Enigma of Guilt in Pawel Pawlikowski's Ida (2013). In Sebastian Jagielski , Magdalena Podsiadło (Ed.), Kino polskie jako kino transnarodowe (pp. 23-40). Krakow: Universitas
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa29913
Rydzewska, J. (2011). Krzysztof Kieslowski TV series Decalogue. The Directory of World Cinema: Eastern European Cinema
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12142
Rydzewska, J. (2011). Krzysztof Kieslowski's Blind Chance (1981). The Directory of World Cinema: Eastern European Cinema
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12143
Rydzewska, J. (2011). Roman Polanski's Cul-de-Sac (1966). The Directory of World Cinema: Eastern European Cinema
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12144
Rydzewska, J. (2011). Zbigniew Cybulski. The Directory of World Cinema: Eastern European Cinema
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12145
Rydzewska, J. (2009). Re-Visioning Feminism: Progressive Text, Genre and Female Experience in Alice Doesn't Live Here Anymore. Teaching Visual Culture in an Interdisciplinary Classroom -54). Utrecht: ATHENA
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa12141
Rydzewska, J. (2006). Poland: Gender Relations in the 'New Europe'. Men and Masculinities in Europe (pp. 189-211). Whiting and Birch
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17494
Rydzewska, J. (2004). Erin Brockovich and Female Subjectivity. Representing Gender in Cultures (pp. 215-228). Peter Lang
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17495

Llyfrau wedi'u Golygu

Rydzewska, J., Pringle, K., Hearn, J., Ferguson, H., Kambourov, D., Kolga, V., Lattu, E., Müller, U., Nordberg, M., Novikova, I., Oleksy, E., Smídová, I., Tallberg, T., & Niemi, H. (Eds.). (2006). Men and Masculinities in Europe. Whiting & Birch.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa63860
Oleksy, E. & Rydzewska, J. (Eds.). (2004). Representing Gender in Cultures. Peter Lang.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17603

Cynnyrch Ymchwil Arall

Rydzewska, J. (2015). Representing Neighbours in Eastern European Cinema/Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours On-Screen, edited by Ewa Mazierska, Lars Kristensen and Eva Näripea,
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa63861
Rydzewska, J. (2014). Anna, Ida et Wanda en Pologne (Ida de Pawel Pawlikowski) (Review of Ida (2013) by Pawel Pawlikowski)
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa18083
http://www.contreligne.eu/2014/06/anna-ida-et-wanda-en-pologne-ida-de-pawel-pawlikowski/
Rydzewska, J. (2009). Crossing Cultures
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa63862
Rydzewska, J. (2004). The Women's Study Centre at the University of Lodz
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa63864

Goruchwyliaeth

From Pinup to Warrior: The Evolution of Female Characterisation in Mainstream American Episodic Animation, 2000 - 2022. (cyfredol)

PhD

Goruchwyliwr arall: Dr Elain Price
A screenplay exploring masculine identity in contemporary Wales and a supporting exegesis which will investigate the ways in which the cinema of Wales constructs culturally and nationally specific forms of masculine identity. (cyfredol)

PhD

Goruchwyliwr arall: Dr Elain Price

Goruchwyliwr arall: Dr Elain Price

Goruchwyliwr arall: Prof David Britton
Migrants in Cyberspace: Exploring the Role of Online Media in Migration Networks The Case of Poles in the UK (dyfarnwyd 2023)

PhD

Goruchwyliwr arall: Dr Leighton Evans
Becoming Woman in Vargas Llosa's Fiction: Blazing a Trail from La ciudad y los perros to Tiempos recios (dyfarnwyd 2023)

PhD

Goruchwyliwr arall: Dr Lloyd Davies
The Forging of a Brand Presidency: An Analysis of Oratories by Donald Trump that Disrupted the Picture of Politics (dyfarnwyd 2024)

PhD

Goruchwyliwr arall: Prof Sian Rees
An Exploration of The Use of Social Media (Websites/ Twitter) As A Public Relations Communication Technique by Saudi Charities for Relationship Building (dyfarnwyd 2023)

PhD

Goruchwyliwr arall: Prof Sian Rees
The Use Of Strategic Public Relations Communication Techniques In Campaigns To Rais Awareness Of Breast Cancer: A Case Study Of Breast Cancer Campaigns In Saudi Arabian Charities (dyfarnwyd 2023)

PhD

Goruchwyliwr arall: Prof Sian Rees
Non-binary aliens or blue sex dolls? Queer identities in mainsteam video games (cyfredol)

MA

Goruchwyliwr arall: Dr Leighton Evans
How women in subcultures are represented in British film between 1965-1985 (dyfarnwyd 2024)

MA

Goruchwyliwr arall: Dr Lisa Smithstead

Modiwlau a Addysgir

MS-103 Introduction to Film Studies

Introduction to Film Studies provides students with the critical awareness and theories that will equip them to analyse films and film movements from a wide variety of angles. Students will examine key, representative films from several angles and learn to present their own analyses and findings in cogent, eloquent manner in seminars and in written work.
MS-M10 Dissertation or Project

An innovative practice-based alternative to a Masters dissertation. Students are encouraged to develop projects across more than one area of media practice and to do so with dual supervision that embraces both theory and practice. Work produced should be at a professional level, accompanied by a reflective essay and presentation exploring the contextual, theoretical and practical issues raised by the project.
MSS217 Approaches to Film Analysis

This module assesses how various kind of screens function as media of representation, expression, communication and, increasingly of interactive contact. The general organising principle of this module is the use and abuse of different screens, with particular emphasis on cinematic screen. The module runs a blackboard where you can find all the relevant information, some reading and additional materials. We shall consider the general question of what is the relationship between the screen and the spectators, that is what does the screen `say¿ to the spectator, and what the spectator `read¿ from the screen. The module first analyses the notion of Ideology, ideas and hegemony within popular films to understand the film text, not as mere entertainment, but as the site where images are conveyed, and naturalized, to be ideological assumption of the world. Furthermore, the aim is to strengthen the affiliation between `us¿ and what we watch, considering the articulated relationship in the production of, seeing, hearing and sensually experiencing of the screen medium. The course will explore areas such as: ideological assumption of gender and sexuality, race, audience, sensation and new media, as ways of elaborating on the relationship between screens and spectator. A series of contemporary case studies will be used for close textual analysis and theoretical elaboration and testing across film, television and new media.
MSS311 Contemporary Film and Television

Contemporary Film and Television provides a contextual, theoretical, geo-political and socio-historical analysis of film and television since 1995. The module examines prevailing trends, emerging film-makers, new technologies, dominant themes, key figures and stars against a background of the evolution of the EU and its relationship with member countries and those beyond its borders. The module incorporates contextual analysis of the film industry that includes analyses of festivals, marketing, distribution and reception. This module is structured to apportion sufficient emphasis on the various strands of film theory and criticism, with special emphasis on concepts of European cinema and representative works and figures but also extends it to World Cinema. Subjects studied will include such themes as displacement, migration, globalization as well as an emphasis on film form that includes analysis of fractal narratives, aesthetics, subversion of genre and technological innovation. The module assumes that students will be prepared to watch a substantial number of films.

Invited Lectures and Appearances

Gwahoddiad i'r Bord Gron 'Pawel Pawlikowski's Cold War: “Set in Poland, that is to say Nowwhere?”’ yn y 51^st Annual Association for Slavic, East European and Euroasian Studies (ASEEES), San Francisco, Tach 2019.
Gwahoddiad i roi Cyflwyniad Panel ar Gelf a'r Sioe Gerdd yn Cold War Paweł Pawlikowski (2018), 51^st Annual Association for Slavic, East European and Euroasian Studies (ASEEES), San Francisco, Tach 2019.
Gwahoddiad i roi cyflwyniad ‘A Nation of Twenty Million Heroes’: The Representation of Poles as Valiant Warriors of World War II in British Cinema, Symposium: Poles in Britain: History, Culture and Literature, Prifysgol Portsmouth, Gorffennaf 2019.
Gwahoddiad i draddodi 'Strategies for Successful PhD Supervision and Viva Preparation', Prifysgol Beijing Union, Mehefin 2019.
Gwahoddiad i draddodi ‘The Consequences of Love: Art, Emigration and the Musical in Paweł Pawlikowski’s Cold War (2018)’, Prifysgol Southampton, Mawrth 2019.
Gwahoddiad i Weithdy ar Wlad Pwyl Gyfoes, Ysgol Astudiaethau Slafonig a Dwyrain Ewrop, UCL. Cyflwyniad: ‘Did You Know that Ernst Stavro Blofeld was Polish?: On the Persistence of Eastern European Stereotypes; Or, What James Bond Has got to Do With It?’, May 2018.
2017 – Cyfweliad egsliwsif gyda'r cyfarwyddwr sydd ag Oscar i'w enw, Pawel Pawlikowski.
2017 – Fe'm gwahoddwyd i ragddangosiad egsgliwsif o ffilm newydd Pawel Pawlikowski, Cold War, yn Sefydliad Ffilm Prydain (BFI) a thrafodaeth gyda'r cynhyrchydd, Tanya Seghatchian, HYDREF 2017.
Gwahoddiad i ford gron yn y VI World Congress of Polonists, “Polish Film, Theatre and Performance in Transnational and International Perspective’, gydag Allen Kuharski, Coleg Swarthmore, Krytyna Illakowicz, Prifysgol Yale a Barbara Kita, Prifysgol Silesia, Prifysgol Silesia, Katowice, Mehefin 2016.
Gwahoddwyd i banel ‘Film, Religion, Identity: The Cinema of (and in) Poland’ gyda Mikołaj Kunicki, Prifysgol Rhydychen a Matilda Mróz, Prifysgol Sussex yng Nghynhadledd Cymdeithas Astudiaethau Slafonig a Dwyrain Ewrop Prydain (BASEES), Coleg Fitzwilliam, Prifysgol Caergrawnt. Cyflwyniad: ‘History, Memory, Ethics: Collective Responsibility and Guilt in Pawlikowski’s Ida’, Ebrill 2016.
Prif Ddarlith 'Sculpting Stories: The Cinema of Pawel Pawlikowski', Wydział Zarządzania i Komunikacji Społecznej, Prifysgol Jagiellonian, Gwlad Pwyl, Tachwedd 2015.
Sgwrs gyda'r awdur Helen Cross ar yr addasiad ffilm o'i llyfr My Summer of Love gan Pawel Pawlikowski a chynhyrchydd y ffilm Roger Shannon, Prifysgol Birmingham, B-Film: Canolfan Astudiaethau Ffilm Birmingham, Rhagfyr 2015.
‘Introduction to Film Analysis’, Prifysgol Deusto, Sbaen, Ebrill 2013.
‘Ambiguity and Change: Transnational Encounters with Polishness in Contemporary British Cinema’, [Trans]National Subjects: Framing Post-1989 Migration on the European Screen, Katholike Universiteit Leuven, Rhagfyr 2011.

Centre for Wolrd CInemas and Digital Cultures, Cyflwyniad: ‘Between Eastern Europe, Art House and Hollywood: The Transnational Journey of Roman Polanski’, Prifysgol Leeds, 2009.

'Beyond the Nation State: British Identity in European Cinema, Prifysgol Salford, NEESUK, Mawrth 2009.
‘Imagining Britishness: The Cinema of Pawel Pawlikowski,’ Prifysgol Canolbarth Swydd Gaerhirfryn, Chwefror 2008

Dr Joanna Rydzewska

Rhif ffôn

Cyfeiriad ebost

Twitter Account

LinkedIn Account

Dolenni Ymchwil

Trosolwg

Meysydd Arbenigedd

Uchafbwyntiau Gyrfa

Uchafbwyntiau Ymchwil

Holl Ymchwil

From Pinup to Warrior: The Evolution of Female Characterisation in Mainstream American Episodic Animation, 2000 - 2022. (cyfredol)

A screenplay exploring masculine identity in contemporary Wales and a supporting exegesis which will investigate the ways in which the cinema of Wales constructs culturally and nationally specific forms of masculine identity. (cyfredol)

Migrants in Cyberspace: Exploring the Role of Online Media in Migration Networks The Case of Poles in the UK (dyfarnwyd 2023)

Becoming Woman in Vargas Llosa's Fiction: Blazing a Trail from La ciudad y los perros to Tiempos recios (dyfarnwyd 2023)

The Forging of a Brand Presidency: An Analysis of Oratories by Donald Trump that Disrupted the Picture of Politics (dyfarnwyd 2024)

An Exploration of The Use of Social Media (Websites/ Twitter) As A Public Relations Communication Technique by Saudi Charities for Relationship Building (dyfarnwyd 2023)

The Use Of Strategic Public Relations Communication Techniques In Campaigns To Rais Awareness Of Breast Cancer: A Case Study Of Breast Cancer Campaigns In Saudi Arabian Charities (dyfarnwyd 2023)

Non-binary aliens or blue sex dolls? Queer identities in mainsteam video games (cyfredol)

How women in subcultures are represented in British film between 1965-1985 (dyfarnwyd 2024)

MS-103 Introduction to Film Studies

MS-M10 Dissertation or Project

MSS217 Approaches to Film Analysis

MSS311 Contemporary Film and Television